{"id":13945,"date":"2015-05-18T01:09:20","date_gmt":"2015-05-18T01:09:20","guid":{"rendered":"https:\/\/billfortney.com\/?p=13945"},"modified":"2015-05-18T01:09:21","modified_gmt":"2015-05-18T01:09:21","slug":"the-new-fuji-90mm-f-2-a-hands-on-review","status":"publish","type":"post","link":"https:\/\/billfortney.com\/?p=13945","title":{"rendered":"The New Fuji 90mm f 2 – A Hands On Review"},"content":{"rendered":"

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Well, it’s finally a reality! \u00a0The lens that many Fuji X Shooters wanted all along. \u00a0A fast long portrait lens! \u00a0It is that for sure, but it is so, so much more.<\/p>\n

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First the Physical Attributes:\"\"<\/a><\/strong><\/span><\/p>\n

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It’s approximately 4.5 inches long, excluding the hood.<\/strong><\/span><\/p>\n

It takes 62mm filters \u00a0(this is important – more on that later!).<\/strong><\/span><\/p>\n

It has the heft of a slightly heavier 56mm f 1.2.<\/strong><\/span><\/p>\n

It’s supplied with a metal bayonet hood like the 60mm Macro.<\/strong><\/span><\/p>\n

F stop range is f 2 to f 16.<\/strong><\/span><\/p>\n

Minimum focus distance is less than 4 feet (more on that later)<\/strong><\/span><\/p>\n

The focus ring is exceptionally smooth and firm.<\/strong><\/span><\/p>\n

The aperture ring has good solid 1\/3 stops detests like the 50-140.<\/strong><\/span><\/p>\n

It balances well with the X-T1 with or without the battery holder.<\/strong><\/span><\/p>\n

It is one of the most solid feeling Fuji lenses yet!!!<\/strong><\/span><\/p>\n

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So why am I so “personally” excited about this lens. \u00a0Don’t get me wrong, \u00a0I love all my Fuji lenses, and I have almost all they have released, and each has it’s on special charms and abilities. \u00a0This 90mm is the equivalent focal length of a 135mm lens and has a narrower angle of view than the 56mm and this gives it two advantages as a portrait lens; less background coverage and more working distance. \u00a0Not all subjects are comfortable with \u00a0you shooting from 4.5 feet away, but around 7 feet up can open their comfort space.<\/p>\n

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In the illustration below you can clearly see the visual difference in the portraits of Col Harlan Sanders bust (hey I don’t have any 22 year old super models in Corbin!! Dang you Damien Lovegrove!) \u00a0See the difference in the face shape and background coverage as focal length and working distance changes.<\/p>\n

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If you photograph head and shoulder portraits, I think you can see why a longer fast telephoto has a special place in studio photographers bag! \u00a0The 56mm does not need to have any fear, it still is the answer for some situations, but the 90mm will become my new “go to” people lens! \u00a0But, I don’t do much portraiture, of course you only need to look as far as my subject matter, a mass of brass! \u00a0No, I do nature, outdoor, travel and Americana work and for Americana this lens is one sweet tool. \u00a0It is perfectly sharp corner to corner at all f stops, but where it is truly spectacular is when you shoot tight at f 2 and throw everything but a small plane of focus into a dramatic blur….. ah, Bokeh heaven!<\/p>\n

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This image shot in an antique shop of the letter strikers on an old typewriter show just how effective it can be!<\/p>\n

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One of the things I love the most about this lens is the wonderful smooth gradation of tones. \u00a0This image of some gears on and old steam engine locomotive in Townsend,Tennessee shows that beautiful smooth tone to tone reproduction.<\/p>\n

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Now for me the big question for all lenses is how close can I get, and can it serve as a close-up lens if I need it to be? \u00a0The test below will answer that question. \u00a0Below is a small Route 66 license plate I picked up on my trip with a penny taped to it for size perspective, the first shot shows that the area shown is 5 inches across.<\/p>\n

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Okay, so this shot above is the closest you can shoot without any supplemental help. \u00a0Below is how close you an get with the addition of the Fuji MCEX 11mm auto extension tube.<\/p>\n

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So let take it a step further and try the Fuji MCEX 11mm & 16mm auto extension tubes together. By-the-way if you happen to have any 62mm diopters like Nikons 5T and 6T, they work fantastic with them too!!!!<\/p>\n

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So yes Virginia, This lens does allow you to get in very close and fill the frame with tiny subjects. \u00a0Here are few images I shot a local junk\/antique shop! \u00a0* These little antique store assignments are killing me, I bought the Rock n’ Roll Diner clock and the Big Boy!<\/p>\n

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So let’s sum it up, the new 90mm f 2 lens is a beautiful example of the lens maker’s art, as has been the case recently, each new lens from Fuji surpasses the last and that is no small accomplishment, the 16-55, the 50-140, the 16, and now the 90 are all superior lenses that have a real place in any shooter’s bag!<\/p>\n

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*NOTE: \u00a0The lens I have been shooting for the last two weeks is a very late prototype, but very nearly a production lens. \u00a0Trust me if the production model is any better, I’ll be shocked, this lens is clearly, ready for prime time!<\/p>\n

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One last item to talk about! \u00a0I also got the chance in Phoenix to shoot with the New Fuji X-T10 – also announced\u00a0<\/strong><\/span>today!<\/strong><\/span><\/p>\n

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This will be a great entry point for people wanting to join the \u00a0X System family. \u00a0The price is right and it is a very capable little brother to the X-T1, about 25% smaller which is also cool. \u00a0The images will be identical as it uses the same sensor as the X-T1. The build quality is the same solid metal kind of body we have come to expect. \u00a0Though the viewfinder is smaller than the X-T1 it is very bright and very clear and shows 100% of the image . One neat note, the shutter release is again threaded for a manual release, or soft shutter release button, sweet! \u00a0The controls are simplified but all the most important stuff is there! \u00a0Oh yes, and the pop up flash is completely hidden in the pentaprism, and it’s autofocus system really kicks it! \u00a0It will be a great travel camera!<\/p>\n

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The XC kit lens is very solid and better than the typical kit lens on less expensive \u00a0cameras, I’d still spring of the marvelous 18-55 f 2.8-f 4, but you should not have any fear about the XC lens quality.<\/p>\n

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Well, hope this info helps as you consider your next additions to your Fuji system!<\/p>\n

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Blessings,<\/p>\n

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the pilgrim<\/p>\n

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About Harland Sanders: \u00a0 \u00a0 \u00a0When I was a newspaper photographer in the early 1970’s I went to a picnic for charity and sat down at a picnic table to eat my picnic dinner. \u00a0An older gentleman came over wearing as grey sport coat. blue shirt and tie and asked if he could sit with me, I was alone and said “sure, I’m all by my myself,” \u00a0I looked at this distinguished gentleman with a white goatee sat down. \u00a0I looked at him and said. “I know you form somewhere but I just don’t know where we’ve met?” \u00a0He said “You’ve probably seen \u00a0me around.” \u00a0I said “I’m sorry I just don’t know where we have met, but I’m sure I know you.” \u00a0At that he smiled,\u00a0leaned in and said well son, I don’t always where that white suit!” \u00a0It was Col. Harland Sanders of Kentucky Fried Chicken fame. \u00a0His original restaurant is in Corbin where I live. \u00a0Col Sanders would have been around 83 or 84 at the time. \u00a0I was embarrassed, but he was a really nice man, and we had a great little talk!<\/p>\n

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P.S. the Nikon HN-23 lens hood is a perfect fit if you want a screw in hood to turn your polarizer, \u00a0Below is the alternate hood from Amazon.<\/p>\n

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Vello LHN-HN23 Dedicated Lens Hood for Select Nikon Lenses
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\u00a0<\/a><\/div>\n","protected":false},"excerpt":{"rendered":"

  Well, it’s finally a reality! \u00a0The lens that many Fuji X Shooters wanted all along. \u00a0A fast long portrait lens! \u00a0It is that for sure, but it is so, so much more.   First the Physical Attributes:   It’s approximately 4.5 inches long, excluding the hood. It takes 62mm filters \u00a0(this is important – […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"_jetpack_newsletter_access":"","_jetpack_dont_email_post_to_subs":false,"_jetpack_newsletter_tier_id":0,"_jetpack_memberships_contains_paywalled_content":false,"_jetpack_memberships_contains_paid_content":false,"footnotes":""},"categories":[3,10],"tags":[],"class_list":["post-13945","post","type-post","status-publish","format-standard","hentry","category-chronicles","category-learning"],"jetpack_featured_media_url":"","jetpack_sharing_enabled":true,"_links":{"self":[{"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/posts\/13945","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/billfortney.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=13945"}],"version-history":[{"count":78,"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/posts\/13945\/revisions"}],"predecessor-version":[{"id":14060,"href":"https:\/\/billfortney.com\/index.php?rest_route=\/wp\/v2\/posts\/13945\/revisions\/14060"}],"wp:attachment":[{"href":"https:\/\/billfortney.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=13945"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/billfortney.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=13945"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/billfortney.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=13945"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}